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He’s interested in the psychology and behavior of this particular woman.
But it's not exactly a character you can do method acting for..know, running around New York killing people with paper clips".
She never has, throughout her lengthy career and it is one of the things that distinguishes her from other actresses. It's why she's so thrilling to watch and why she is in such rare company (Anna Magnani, Liv Ullmann, Gena Rowlands, Bette Davis, Barbara Stanwyck, Joan Crawford... There's always some element of mystery left intact in Huppert's work.
Even very talented actresses want to make sure that we "understand" why the character does what she does. Huppert can be frighteningly blank ("The Piano Teacher," "La Cérémonie"), she can be human and flawed ("Amour," and the upcoming "Things to Come"). In a Q&A following the public screening at the New York Film Festival, Verhoeven described Huppert (also in attendance) as "unique in the world." She is. The Ebert Club is our hand-picked selection of content for Ebert fans.
Farrell played the title role of Alexander the Great in Oliver Stone's 2004 biographical film Alexander, which, while receiving some favourable reviews internationally, was poorly received in the United States.
I would compare [Alexander] to Lawrence of Arabia, in terms of sheer scope, pacing, and its unrelenting focus on a single individual....
He then starred in Schumacher's psychological thriller Phone Booth (2002) where he plays a hostage in a New York city phone booth, and the American thrillers S. After starring in the independent films Intermission (2003) and A Home at the End of the World (2004), Farrell headed Oliver Stone's biopic Alexander (2004) and Terrence Malick's The New World (2005).